Bronica September 19

Images as shot: kinda distorted and weird colours. All 8sec and F4.5

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16:9 Cinematic Ritual

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This work is licenced under a Creative Commons Licence.

Time is disrupted and non-linear, characters move within each image.
The cinematic aspect is created through the interaction (or deliberate disconnection) of characters. We do not know who the characters are, but we do know the story they are telling because we have seen it all before. The images contain visual elements often associated with a scene in a film. The layered motion; a scene of transcendence and a new reality lying beyond the ordinary range of perception. It rests in the Sublime, a colour crazy funeral, the underlying feeling not of dying, but of loss and remembrance.
I'm looking at other moments which have a generic and often cliche way of being represented in cinema.

Night time antics

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Lately I've been going out at night and having a bit of experimental fun with off-camera flashes. Especially the use of coloured glass filters to provide big chunks of vibrant colour (mostly green and blue) and illuminate people and objects in awesome ways.

Sunday night was a bit of a trial run, going into a field and getting used to the idea of 'painting with a flash' It gives crazy ghostlike effects, and multiple layering, what i found quite cool was the tone in the sky, the slow shutter speed allowed even for the cloud movement, and it has this lightness to it almost as if it were daytime instead of night.

This was about a 3 minute exposure on f11:


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And another image from sunday, this time the trees in Tim and Ian's garden. I sat between the two trees and lit up each side of the tress, then up the outsides of the trees, and a small piece of grass on the right hand side. The street lit behind also casts strands of light along the grass right to the foreground Quite mystical I thought:


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Last night's shoot was at Logan park, a beautifully warm night with a big moon (got a bit of moonflare in a few images) and a slight breeze.
I took a Bronica 6x6 and the D80, as well as a range of single firing flashes and one on burst mode (this was used to light up the flowers when thrown in the air.) as well a hang-picked selection of excellent models and button pushers.

I ran around with a flash and some glass filters, lighting up different scenes, then moving people into new spots and flashing them again. The result is the composed montage of situation really. With a cinematic quality, it became a film, and I was the director.
It was interesting, and the more I continued, the more I felt as though what I was doing was created layers in reality, instead of in photoshop. It was a manipulation of time and space within the camera.


This work is licenced under a Creative Commons Licence.


This work is licenced under a Creative Commons Licence.

Finding the narrative..

It is really difficult. But as Max mentioned yesterday, perhaps it's not so important, or relevant to my work at this stage; every story has already been written somewhere in history. Perhaps the way people engage with the work, and my construction of images to create a kind of visual story is the direction I'm heading in.



Some new ideas and digital scribbles...





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Random Play, the beginnings..

there under the trees I found it, a way out of this hell hole.

I have so many ideas of how I want this body of work to look, and loads of influences to the point where my memory feels photographic and I wish could just take a picture of what's in my mind.

Narrative is difficult, and I want it mean so much. yet not be static and unmoving/unengaging.